The Book of Nature Study, Vol. 3 (Classic Reprint)

Excerpt from The Book of Nature Study, Vol. 3 It will be clear from what has been said that the study Of plant life is abundantly fascinating. Every one with even a small garden can watch the spread Of a given plant, or the adapta tion Of structure, or the growth Of seedlings. Even without a garden a great deal can be done with window boxes, with seeds in saucers, or in glass jam jars. The habit Of Observing Nature brings with it its own delight, and, once begun, is not likely to be given up but the importance Of a real, first-hand knowledge Of Nature cannot be exaggerated in the case Of those engaged in what is popularly called Nature Study. The main Object Of Nature Study should be to develop the mental faculties Of Observation and reasoning. This cannot be done satisfactorily except by those teachers who are always finding out things for themselves, and constantly experimenting in one way or another, either repeating the experiments Of others, or, still better, devising new ones, however small, for themselves. For this reason, constant reference will be made in this section to new work both in America and in Europe, and a bibliography will be given, in which the more recent botanical literature will be mentioned. Laboratory experiments are valuable, and in towns may be the only ones possible, but those who live in the country should be content with nothing -less than Observing Nature accurately and, like Gilbert White Of Selborne, sympathetic ally and reverently. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.