Austrian Post 5.99 DPD courier 6.49 GLS courier 4.49

Undergrounds of the Phantom of the Opera

Language EnglishEnglish
Book Hardback
Book Undergrounds of the Phantom of the Opera Jerrold E Hogle
Libristo code: 01290460
Publishers Palgrave USA, May 2002
This is an analytical study of "The Phantom of the Opera" in its many different versions from the or... Full description
? points 317 b
134.22 včetně DPH
Low in stock at our supplier Shipping in 13-16 days
Austria Delivery to Austria

30-day return policy


You might also be interested in


SALE
Show Me the Bone Gowan Dawson / Hardback
common.buy 90.98
Lessons From the Phantom of the Opera Vicki Hopkins / Paperback
common.buy 14.01
Tainted Soul: A Phantom of the Opera Novel L Ann Price / Paperback
common.buy 17.65
Thousands Not Billions Don DeYoung / Paperback
common.buy 13.80
Angel of Music Carrie Hernandez / Paperback
common.buy 22.36
Black against Empire Joshua Bloom / Paperback
common.buy 35.21
Phantom of the Opera Kate Knighton / Hardback
common.buy 7.05
One Righteous Man Arthur Browne / Paperback
common.buy 19.15
Repainting the Walls of Lunda Delinda Collier / Paperback
common.buy 33.28
Putting Makeup on the Fat Boy Bil Wright / Hardback
common.buy 18.72
Social Studies for CSEC Nigel Lunt / Paperback
common.buy 33.49
Security Education and Critical Infrastructures Cynthia Irvine / Hardback
common.buy 134.22
Cambridge Companion to Gothic Fiction Jerrold E. Hogle / Hardback
common.buy 170.62
Commercial Cultures Peter Jackson / Hardback
common.buy 214.50

This is an analytical study of "The Phantom of the Opera" in its many different versions from the original Gaston Leroux novel to the 21st century. It proposes answers to the question, "why do we keep needing this story told and retold in the Western world?" by revealing the history of deep cultural tensions that underlie the novel and each major adaptation. Extensive historical and textual evidence and drawing on perspectives from several theories of cultural study, this book argues that we need this tale told and reconfigured because it provides us ways to both confront and disguise how we have fashioned our senses of identity in the Western middle class. "The Phantom of the Opera" in varying ways over time turns out like the "Gothic" tradition it extends, to be deeply connected to Western self fashioning in the face of conflicted attitudes about class, gender, race, religious beliefs, Freudian psychology, economic and international tensions, and especially the shifting and permeable boundaries between "high" and "low" culture.

Login

Log in to your account. Don't have a Libristo account? Create one now!

 
mandatory
mandatory

Don’t have an account? Discover the benefits of having a Libristo account!

With a Libristo account, you'll have everything under control.

Create a Libristo account