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Realism is a pervasive term in discussions of contemporary developments in literature and film. By drawing on different theories of realism, the authors explore how the term may be used as a helpful concept in order to analyse and evaluate current trends in cultural production and, in turn, how cultural production changes our understanding of what counts as realism . The volume deals with media-specific and national traditions of realism, thereby offering a transdisciplinary engagement with forms and socio-political functions of realism in contemporary culture.